©2024｜Roger Weiss

rogerweiss@bluemail.ch

X ｜ Insta

About




The photographic work of Roger Weiss delves deeply into contemporary Anthropic identity. Weiss, a Swiss photographer, graduated summa cum laude from the Brera Academy of Fine Arts in Italy, reelaborates human bodies through fragmentations, hybridisations, dilations, and photographic reconstructions, to reveal the archetypal form of the human being.

His work has been exhibited at exhibit spaces and art fairs in Europe and the US including: Ohsh Projects, London (UK), Gallery Sèbastien Lepeuve, Clichy (FR), Snap! Orlando Gallery, Orlando (US), Limonaia di Villa Strozzi, Florence (IT), Museo del Barocco (IT), Gervasuti Foundation, Venice (IT), Deutsch-Amerikanisches Institut, Heidelberg (DE), Kulturzentrum Alte Kaserne, Winterthur (CH).
He has several publications in books and leading trade magazines including: The Opéra, Kerber publisher, book (DE), The Song of Songs, which is Solomon's, Josef Weiss Private Press, book (CH), Doppelgänger, Image of the Human Being, Gestalten publisher, book (DE), Schön! Magazine (UK), Carnale Magazine (IT), Digit! Magazine (DE), Blink Magazine (Korea), and interviews including Exibart (IT), ArtsLife (IT), i-D (UK), Dazed (UK), Vogue Italia (IT), RSI (CH), NY ARTS (USA). His collaborations include brands such as Apple, Enterprise Japan, Amina Muaddi and Wolford.
From 2017 to 2020 he was the art director of Collectible DRY magazine.

Portrait   
               
     

Selected Shows



Group Show: Ohsh Projects
Liquify
London, UK
co-curated by Jon Baker and OHSH Projects

Art Fair: MIA Milan Image Art Fair
LOOKING AT HER
Paola sosio contemporary art milan, IT
Curated by DOMENICO DE CHIRICO

Group Show: FUMES AND PERFUMES
FUMES AND PERFUMES 9.0
Stuttgart, DE (Catalogue)

Group Show: Gallery SÈBASTIEN LEPEUVE
21
Clichy, FR

Group Show: Museo Regionale della Bonifica di Cà Vendramin
L’energia della creatività
Rovigo, IT
Curated byi Melania Ruggini

Group Show: Limonaia di Villa Strozzi
Diari Urbani
Florence, IT
curated by Chiara Massini

Group Show: Museo del Barocco
LA BELLEZZA SOSPESA TRA VISIONE E REALTà
Noto, IT (catalogue)
curated by Chiara Massini

Art Fair: Photissima Art Fair
Welcome to the jungle!
Torin, IT
Curated by Famiglia Margini gallery Milan, IT

Solo Show: PArCo | Padiglione Arte Contemporanea
Cyclical Time
Casier, IT
Curated by Chiara Massini

Group Show: Gervasuti Foundation
SCREAMING SCREEN
Venice, IT

Solo Show: Association Oltre la Moda, Spazio Luigi Salvioli artist representatives s.r.l. LULÙ
Milan, IT
Curated by Luigi Salvioli

Solo Show: Deutsch-Amerikanisches Institut
Sospension
Heidelberg, DE
Curated by Jakob J. Köllhofer

Group Show: Kulturzentrum Alte Kaserne
Start 2
Winterthur, CH
Curated by Iren Tanner



Selected Artwork


  1. Hysteria 
  2. Human Dilatations
  3. Flat Humans
  4. Genealogy of a Body
  5. Survey of Human Map
  6. Intimate Archive
  7. Cyclical Time
  8. Be Two  
  9. I am Flesh


Selected Interviews


Magazine: Collater.al
LE HUMAN DILATATIONS DI ROGER WEISS
7 July 2023, IT
Text by Giorgia Massari

Blog: Exibart
OTHER IDENTITY #49. ALTRE FORME DI IDENTITÀ CULTURALI E PUBBLICHE: ROGER WEISS
Issue 49, 17 feb. 2023, IT
Interviewer: Francesco Arena

Newspaper: ArtsLife
ROGER WEISS: RIELABORARE IL CORPO ALLA RICERCA DEL SUO ARCHETIPO
the cultural revolution online, 19 Jan. 2023, IT
Interviewer: Rebecca Delmenico

Magazine: Carnale Magazine
HUMAN DILATATIONS
Issue 3,  10 pages + a limited edition poster of 100,
size 203x140cm. Sept. 2022, IT
Interview by Lorenzo Ottone

Magazine: SFG Magazine
THERE ARE NO IDEAS THAT ARE NOT CON- NECTED WITH PERSONAL EXPERIENCE, DESIRES AND FEARS
12 Feb. 2022, UA
Interviewer: Sergey Gutakovsky
Translation: Angelina Petrova
Editor: Sergey Fomkin

Magazine: Swarm Magazine
HUMAN DILATATIONS
02 Sept. 2021, Prague, Czechia
Interview by Markéta Kosinová

Podcast: SPREAKER Podcast
ROGER WEISS E L’ARTE DEL KINTSUGI
00:12:34, 02 July 2021, IT
by Alessio Bottiroli
On The Nature Of Light
Un podcast di e sulla fotografia

Magazine: I-D
I CORPI DISTORTI ED EMANCIPATI NEGLI SCATTI DI ROGER WEISS PER LA COLLEZI- ONE AMINA MUADDI X WOLFORD
29 July 2021, IT
TEXT by Carolina Davalli

Blog: The Dummy’s Tales
ROGER WEISS, IL CORPO ANARCHICO
08 Feb. 2021, IT
TEXT by Francesca Interlenghi

Magazine: Art Super Magazine
ROGER WEISS: EATING, THE ACT OF CONFIDENCE
Jan. 2018, IT
Interview by Annalisa Scandroglio

Magazine: D’Scene Magazine
THE PERSPECTIVE OF ROGER WEISS
4 pages, Dec, 2017, UK
Interview by Sav Liotta

Magazine: Digit! Magazine
AUSWEITUNG DER KOMFORTZONE
8 pages, Oct/Nov 2016, DE
Interview by Von Peter Schuffelen

Magazine: Hestetika Magazine
HUMAN DILATATIONS
8 pages, Oct. 2016, IT
Interview by Valentina De’ Mathà

Magazine: Dazed
THESE PHOTOGRAPHS EXPLORE NEW PER- SPECTIVES OF FEMALE BEAUTY
26 June 2016, UK
Interview by Ione Gamble

Blog: FotoRoom
HUMAN DILATATIONS: Roger Weiss Creates Mind-Blowing Portraits of Dilated Female Bodies
02 May 2016, IT

Rubrique: Les Blogs DE l’ART HELVÈTIQUE CONTEMPORAIN
UN HOMME EN MOUVEMENT: PORTRAIT DE L’ARTISTE DE THURGOVIE ROGER WEISS
23 July 2015, CH
Interview byJ-Paul Gavard-Perret
Rubrique des arts plastiques et de la littérature en Suisse

Magazine: Vogue Italia
ROGER WEISS
05 April 15, IT
Interview by Alessia Glaviano

TV: RSI, Cult Tv
ROGER WEISS
03 March 2014, CH

Magazine: Ticino Welcome Magazine
VOGLIO SCOPRIRE NUOVI TERRITORI DA ESPLORARE E RACCONTARE
6 pages, Sept/Nov, 2013, CH

Magazine: Blink Magazine
ROGER WEISS
14 pages + Cover, 2012, Korea

Magazine: NY Arts magazine
I AM FLESH
1 page, Summer 2011, NY

Magazine: Twill magazine
35 AN ETHMOGRAPHIC PROJECT
10 pages, June 2010, FR
TEXT by Adriano Zamperini

Magazine: Fotocomputer Magazine
ROGER WEISS
Issue 67, 6 pages, April 2005, IT







Special Projects


  1. Enterprise Japan
  2. Carnale Magazine
  3. Learnn
  4. Apple
  5. Collectible DRY
  6. Cosha
  7. Wolford｜Amina Muaddi
  8. Camilla Sparksss
  9. Schön! Magazine



Selected Publications
    


BOOK: Seltmann Publisher
FUMES AND PERFUMES
10 pages, 18 Jan. 2024, DE
Herausgeber / Editors: Frank Bayh & Steff Rosenberger-Ochs, Peter Franck, Bernd Kammerer, Monica Menez und Yves Noir

MAGAZINE: WeAr Magazine
We Are One
Issue 75, 1 page, March 2023. IT
Enterprise Japan FW23 Campaign

BOOK: Dumont Publisher
I SEE VULVAS EVERYWHERE
1 page, 18 July. 2023, DE
By Lisa Frischemeier

Book: Kerber Publisher
THE OPÉRA
10 pages, 14 Nov. 2022, DE
Edited by Matthias Straub Designed by Steffen Knöll Designed by Sven Tillack
Limited anniversary issue of The Opéra – Magazine for Contemporary Nude Photography – including its most famous positions of the past as well as new views on the human body

Magazine: Carnale Magazine
HUMAN DILATATIONS
Issue 3,  10 pages + a limited edition poster of 100,
size 203x140cm. Sept, 2022, IT

MAGAZINE: The Opéra Magazine
THE HUG
Volume X, 10 pages, 12 July 2021, DE

Magazine: D’Scene Magazine
THE PERSPECTIVE OF ROGER WEISS
4 pages, Dec, 2017, UK

MAGAZINE: The Opéra Magazine
HUMAN DILATATIONS
Volume VI, 8 pages, Oct. 2017, DE

MAGAZINE: Schön Magazine
HUMAN DILATATIONS
Issue 33, 10 pages, Oct. 2017, UK

BOOK: Josef Weiss Private Press
THE SONG OF SONGS, WHICH IS SOLOMON’S, 2016, CH

Magazine: Digit! Magazine
AUSWEITUNG DER KOMFORTZONE
8 pages, Oct/Nov 2016, DE

Magazine: Hestetika Magazine
HUMAN DILATATIONS
8 pages, Oct. 2016, IT

Magazine: Ticino Welcome Magazine
VOGLIO SCOPRIRE NUOVI TERRITORI DA ESPLORARE E RACCONTARE
6 pages, Sept/Nov, 2013, CH

Magazine: Blink Magazine
ROGER WEISS
Cover + 14 pages, 2012, Korea

BOOK: Gestalten Publishers
DOPPELGÄNGER, IMAGE OF THE HUMAN BEING
2 pages, Jan. 31, 2011, DE

Magazine: NY Arts magazine
I AM FLESH
1 page, Summer 2011, NY

Magazine: Twill magazine
35 AN ETHMOGRAPHIC PROJECT
10 pages, June 2010, FR
TEXT by Adriano Zamperini

Magazine: Fotocomputer Magazine
ROGER WEISS
Issue 67, 6 pages, April 2005, IT



2010｜Twill Magazine













35 an Ethnographic Project




Twill magazine, 10 pages, June 2010, FR 
Text by Adriano Zamperini





In I am Flesh bodies make up reality: 35 naked female bodies meticulously photographed in their primeval condition to look as real as possibile – and surprisingly so.

This extraordinary resemblance to the truth is achieved by means of a special technique whereby each image is composed of 47,244 x 32,864 pixels per inch, equivalent to 400 X 278 cm printable area at 300 dpi, while,for reasons of better perception, the final prints will be executed as 230 x 160 cm True Giclée Fine Art Prints, protected under plexiglass and displayed all together.

Human bodies have long been photographed and described. Many have been seen and read about. And every community, through its institutions and leaders, has always espoused certain body-types and shunned others. Showing off the desirable ones, and hiding the undesirable. All those who might be perceived as excessive or upsetting. Roger Weiss, donning the role of a visual ethnographer, involves himself in every body-type of contemporary society. Almost adopting a “naturalistic” approach, he isn’t scared to get his hands dirty. To breathe somebody else’s breath. Accepting that our own images are never fully under control. Rather, he allows them a certain margin, opening up ever-changing and unlooked for perceptions. And with project 35, he invites us to continually switch between the general and the particular, setting in motion a systematic alternation between interior and exterior. He undermines the comforting idea of an established aesthetic of anatomy and takes us on a journey of the body that turns its revelations of intimacy into an exercise of democracy.

The essence of human rights, a key element for any society to call itself democratic, is that the autonomy of the individual rests on the inviolability of the human body. The body, that in past ages was in the hands of God and the ruler. In war, sent to the slaughterhouse by the generals. In the fields and in the factories, abused and deceived by the cheating bosses. Today, instead, our bodies belong to us. Admittedly, even under democracy, politics retain some control over our bodies. Always ready to regulate, to forbid and to issue permits. And yet, political control struggles with bodies reluctant to hand over control of their own fate. There are plenty of scenarios for control – and plenty of dilemmas – from procreation to living wills.

One of these scenarios relates to the expressive materialization of the self in the appearance of the body, in the visible identity of the individual. This is the drift of Roger Weiss’ argument.

As phenomenology shows, if the self exists in the world via the body, it can be experienced in two different ways: objectively and a subjectively. Bodies that by their functioning test the limits of their own reality. Shards of the drama of the human condition. In daily life, the body is the self, the dwelling place of my feelings, where I move, the frame for my perspectives. And I can even adopt a perspective of examining my own body. But there are innumerable social occasions where a separation exists between the self and the body. Medical discourse, for example, with its ability to turn a person into a patient. Or, at its most extreme, into a corpse. On which one can operate without any resistance. But even then, the self remains, as it were, trapped. Because not only do I have a body, I am a body.

And, today, living as we do in a body-crazed society, individuals are always being called on to “work on” or “look after” their bodies. And if individuals know what they can do – within certain limits – with their own bodies, the problem remains what to do with this freedom, because the body expresses an established rapport with the surrounding world. Thus becoming an existential option. A topical theme for contemporary democracies.

Roger Weiss’ photographs are life forms that speak by means of the body and not about the body. They relate setbacks and aspirations, weaknesses and strengths, pain and joy. Of rights achieved and rights trodden down. The flesh that exposes itself, calls for others’ perception. Obliging these perceptions to pause on its appearance. A place where the self and the world intermingle and relegate the realm of ideas to second place in order to deal with the realm of the visible. The inner self, usually held back as opaque and inaccessible, becomes open and displayed on the skin. So, it’s not about somebody else’s body that conceals a self. Rather, it’s about bodies that reveal a self. And, being able to follow every fold, it is possible to feel emotions that become stories. Moments that become history. The photographer, just as he enlarges faces, expands the feelings experienced. In other words, he enables us to “reach within”, putting people in touch with themselves and others.

And thus, these oversize photographs rub up against us, creating the friction that is typical of the human encounter. Every body, though forming and representing defined individuality, is turned outside itself, and is set in a relationship. Not an absorbing empathy but rather an invitation to live a relationship of differences. In which reciprocal differences are a pre-condition for understanding. That is project 35; that is what democracy should be about!