©2025｜Roger Weiss
info(at)rogerweiss.ch
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About



Roger Weiss is a Swiss visual artist whose research explores the fragmentary construction of human identity in contemporary society through photography and video.

A summa cum laude graduate of the Brera Academy of Fine Arts in Milan, he investigates the human as a threshold between presence and abstraction, memory and fiction.

A constant tension toward the archetype guides his practice: an inquiry into the body as a primordial figure that precedes role, time, and narration.


He has exhibited in galleries and art fairs across Europe and the United States, including Ohsh Projects (London, UK), Gallery Sébastien Lepeuve (Clichy, FR), Snap! Orlando Gallery (Orlando, USA), Limonaia di Villa Strozzi (Florence, IT), Museo del Barocco (Noto, IT), Gervasuti Foundation (Venice, IT), StadtGalerie Brixen (Bressanone, IT), Deutsch-Amerikanisches Institut (Heidelberg, DE), and Kulturzentrum Alte Kaserne (Winterthur, CH).

His works have been published in international photography and art books, including The Opéra (Kerber, DE), The Song of Songs, which is Solomon’s (Josef Weiss Private Press, CH), and Doppelgänger – Images of the Human Being (Gestalten, DE), as well as in media outlets such as Schön! (UK), Interview Magazine (DE), Stern (DE), Carnale (IT), Digit! (DE), and Blink (KR). He has also been interviewed by Dazed (UK), i-D (UK), Exibart (IT), ArtsLife (IT), RSI (CH), Vogue Italia (IT), and NY Arts (USA).

In parallel, he has collaborated with international brands such as Apple, Enterprise Japan, Amina Muaddi, and Wolford, developing projects that brought his artistic research into dialogue with fields of visual and cultural innovation.

From 2017 to 2020, he directed the artistic vision and visual project of Collectible DRY, an international English-language magazine distributed worldwide, contributing to the definition of its visual and conceptual identity.




Portrait   
               
     

Selected Exhibitions



Two-Person Exhibition: StadtGalerie Brixen
Tutti i presenti che non sono mai esistiti
Brixen, IT
curated by Marco Pietracupa

Group Exhibition: Spazio Crea
Corpo d’acqua – Liquidità ed elemento antropico
Venezia, IT
Curated by Izabela Anna Moren (Fondazione Studio Rizoma) and Pier Paolo Scelsi

Group Exhibition: Quattrocantesimo
I PALAZZI STORICI AI QUATTRO CANTI RIVIVONO ATTRAVERSO L'ARTE CONTEMPORANEA
Palermo, IT
Curated by Roberto Bilotti Ruggi d'Aragona

Group Exhibition: Ohsh Projects
Liquify
London, UK
co-curated by Jon Baker and OHSH Projects

Art Fair: MIA Milan Image Art Fair
LOOKING AT HER
Paola sosio contemporary art milan, IT
Curated by DOMENICO DE CHIRICO

Group Exhibition: FUMES AND PERFUMES
FUMES AND PERFUMES 9.0
Stuttgart, DE (Catalogue)
Curated by Frank Bayh & Steff Ochs

Group Exhibition: SÈBASTIEN LEPEUVE Gallery
21
Clichy, FR
Curated by SÈBASTIEN LEPEUVE
Group Exhibition: Snap! Orlando Gallery
Le Salon 2017
Orlando, USA
Curated by Patrick Kahn

roup Exhibition: Snap! Orlando Gallery
Corpus
Orlando, USA
Curated by Patrick Kahn

Group Exhibition: Museo Regionale della Bonifica
L’energia della creatività
Rovigo, IT
Curated byi Melania Ruggini

Group Exhibition: Limonaia di Villa Strozzi
Diari Urbani
Florence, IT
curated by Chiara Massini

Group Exhibiiton: Museo del Barocco
LA BELLEZZA SOSPESA TRA VISIONE E REALTà
Noto, IT (catalogue)
curated by Chiara Massini

Art Fair: Photissima Art Fair
Welcome to the jungle!
Turin, IT
Curated by Famiglia Margini gallery Milan, IT

Solo Exhibition: PArCo | Padiglione Arte Contemporanea
Cyclical Time
Casier, IT
Curated by Chiara Massini

Group Exhibition: Gervasuti Foundation
SCREAMING SCREEN
Venice, IT

Solo Exhibition: Association Oltre la Moda, Spazio Luigi Salvioli artist representatives s.r.l. LULÙ
Milan, IT
Curated by Luigi Salvioli

Solo Exhibition: Deutsch-Amerikanisches Institut
Sospension
Heidelberg, DE
Curated by Jakob J. Köllhofer

Group Exhibition: Kulturzentrum Alte Kaserne
Start 2
Winterthur, CH
Curated by Iren Tanner


Selected Artwork



  1. Domestic Chronotopes
  2. Traces
  3. Hysteria 
  4. Human Dilatations
  5. Flat Humans
  6. Genealogy of a Body
  7. Survey of Human Map
  8. Intimate Archive
  9. Cyclical Time 
  10. Be Two  
  11. I am Flesh




Selected Interviews


Art Platform: Artfield.APP
ROGER WEISS
14 July 2025, TR
Text by Tara Karaçizmeli

Magazine: Collater.al
LE HUMAN DILATATIONS DI ROGER WEISS
7 July 2023, IT
Text by Giorgia Massari

Blog: Exibart
OTHER IDENTITY #49. ALTRE FORME DI IDENTITÀ CULTURALI E PUBBLICHE: ROGER WEISS
Issue 49, 17 feb. 2023, IT
Interviewer: Francesco Arena

Newspaper: ArtsLife
ROGER WEISS: RIELABORARE IL CORPO ALLA RICERCA DEL SUO ARCHETIPO
the cultural revolution online, 19 Jan. 2023, IT
Interviewer: Rebecca Delmenico

Magazine: Carnale Magazine
HUMAN DILATATIONS
Issue 3,  10 pages + a limited edition poster of 100,
size 203x140cm. Sept. 2022, IT
Interview by Lorenzo Ottone

Magazine: SFG Magazine
THERE ARE NO IDEAS THAT ARE NOT CON- NECTED WITH PERSONAL EXPERIENCE, DESIRES AND FEARS
12 Feb. 2022, UA
Interviewer: Sergey Gutakovsky
Translation: Angelina Petrova
Editor: Sergey Fomkin

Magazine: Swarm Magazine
HUMAN DILATATIONS
02 Sept. 2021, Prague, Czechia
Interview by Markéta Kosinová

Podcast: SPREAKER Podcast
ROGER WEISS E L’ARTE DEL KINTSUGI
00:12:34, 02 July 2021, IT
by Alessio Bottiroli
On The Nature Of Light
Un podcast di e sulla fotografia

Magazine: I-D
I CORPI DISTORTI ED EMANCIPATI NEGLI SCATTI DI ROGER WEISS PER LA COLLEZI- ONE AMINA MUADDI X WOLFORD
29 July 2021, IT
TEXT by Carolina Davalli

Blog: The Dummy’s Tales
ROGER WEISS, IL CORPO ANARCHICO
08 Feb. 2021, IT
TEXT by Francesca Interlenghi

Magazine: Art Super Magazine
ROGER WEISS: EATING, THE ACT OF CONFIDENCE
Jan. 2018, IT
Interview by Annalisa Scandroglio

Magazine: D’Scene Magazine
THE PERSPECTIVE OF ROGER WEISS
4 pages, Dec, 2017, UK
Interview by Sav Liotta

Magazine: Digit! Magazine
AUSWEITUNG DER KOMFORTZONE
8 pages, Oct/Nov 2016, DE
Interview by Von Peter Schuffelen

Magazine: Hestetika Magazine
HUMAN DILATATIONS
8 pages, Oct. 2016, IT
Interview by Valentina De’ Mathà

Magazine: Dazed
THESE PHOTOGRAPHS EXPLORE NEW PER- SPECTIVES OF FEMALE BEAUTY
26 June 2016, UK
Interview by Ione Gamble

Blog: FotoRoom
HUMAN DILATATIONS: Roger Weiss Creates Mind-Blowing Portraits of Dilated Female Bodies
02 May 2016, IT

Rubrique: Les Blogs DE l’ART HELVÈTIQUE CONTEMPORAIN
UN HOMME EN MOUVEMENT: PORTRAIT DE L’ARTISTE DE THURGOVIE ROGER WEISS
23 July 2015, CH
Interview byJ-Paul Gavard-Perret
Rubrique des arts plastiques et de la littérature en Suisse

Magazine: Vogue Italia
ROGER WEISS
05 April 15, IT
Interview by Alessia Glaviano

TV: RSI, Cult Tv
ROGER WEISS
03 March 2014, CH

Magazine: Ticino Welcome Magazine
VOGLIO SCOPRIRE NUOVI TERRITORI DA ESPLORARE E RACCONTARE
6 pages, Sept/Nov, 2013, CH

Magazine: Blink Magazine
ROGER WEISS
14 pages + Cover, 2012, Korea

Magazine: NY Arts magazine
I AM FLESH
1 page, Summer 2011, NY

Magazine: Twill magazine
35 AN ETHMOGRAPHIC PROJECT
10 pages, June 2010, FR
TEXT by Adriano Zamperini

Magazine: Fotocomputer Magazine
ROGER WEISS
Issue 67, 6 pages, April 2005, IT







Special Projects



  1. Enterprise Japan
  2. Carnale Magazine
  3. Learnn
  4. Apple
  5. Collectible DRY
  6. Cosha
  7. Wolford｜Amina Muaddi
  8. Camilla Sparksss
  9. Schön! Magazine




Selected Publications
    


BOOK: Seltmann Publisher
FUMES AND PERFUMES
10 pages, 18 Jan. 2024, DE
Herausgeber / Editors: Frank Bayh & Steff Rosenberger-Ochs, Peter Franck, Bernd Kammerer, Monica Menez und Yves Noir

MAGAZINE: WeAr Magazine
We Are One
Issue 75, 1 page, March 2023. IT
Enterprise Japan FW23 Campaign

BOOK: Dumont Publisher
I SEE VULVAS EVERYWHERE
1 page, 18 July. 2023, DE
By Lisa Frischemeier

Book: Kerber Publisher
THE OPÉRA
10 pages, 14 Nov. 2022, DE
Edited by Matthias Straub Designed by Steffen Knöll Designed by Sven Tillack
Limited anniversary issue of The Opéra – Magazine for Contemporary Nude Photography – including its most famous positions of the past as well as new views on the human body

Magazine: Carnale Magazine
HUMAN DILATATIONS
Issue 3,  10 pages + a limited edition poster of 100,
size 203x140cm. Sept, 2022, IT

MAGAZINE: The Opéra Magazine
THE HUG
Volume X, 10 pages, 12 July 2021, DE

Magazine: D’Scene Magazine
THE PERSPECTIVE OF ROGER WEISS
4 pages, Dec, 2017, UK

MAGAZINE: The Opéra Magazine
HUMAN DILATATIONS
Volume VI, 8 pages, Oct. 2017, DE

MAGAZINE: Schön Magazine
HUMAN DILATATIONS
Issue 33, 10 pages, Oct. 2017, UK

BOOK: Josef Weiss Private Press
THE SONG OF SONGS, WHICH IS SOLOMON’S, 2016, CH

Magazine: Digit! Magazine
AUSWEITUNG DER KOMFORTZONE
8 pages, Oct/Nov 2016, DE

Magazine: Hestetika Magazine
HUMAN DILATATIONS
8 pages, Oct. 2016, IT

Magazine: Ticino Welcome Magazine
VOGLIO SCOPRIRE NUOVI TERRITORI DA ESPLORARE E RACCONTARE
6 pages, Sept/Nov, 2013, CH

Magazine: Blink Magazine
ROGER WEISS
Cover + 14 pages, 2012, Korea

BOOK: Gestalten Publishers
DOPPELGÄNGER, IMAGE OF THE HUMAN BEING
2 pages, Jan. 31, 2011, DE

Magazine: NY Arts magazine
I AM FLESH
1 page, Summer 2011, NY

Magazine: Twill magazine
35 AN ETHMOGRAPHIC PROJECT
10 pages, June 2010, FR
TEXT by Adriano Zamperini

Magazine: Fotocomputer Magazine
ROGER WEISS
Issue 67, 6 pages, April 2005, IT





2018｜Art Super Magazine

Roger Weiss: Eating, the Act of Confidence




Art Super Magazine
Jan. 2018, IT
Interview by Annalisa Scandroglio




Roger Weiss was born in Switzerland and began experimenting with photography from an early age. Graduated with Mention of Excellence from the Accademia di Belle Arti di Brera, Milan (Italy). His curiosity for the expressions of humankind open him the path to an artistic approach. He performs as an artist, art director as well as a fashion photographer. Observing the body, its possibilities, its personal victories and its concealed baggages, Roger Weiss analyzed, by a new way to use the photographic medium in which the obsession with cataloguing, repetition, and decomposition build a disturbing and full of details sight of the human body. This interview is a new step in the poetic of the artist through the investigation of the body and its aspects. Through the use of a new media: the video, Roger Weiss try to investigate even more in depth the feelings that the body reveal through his actions and movements during the process of feeding.


Why a topic related to food and eating?

 Man is a being capable of inventing stories, postulates holding up the entire world as we know it. Behind every human being there is an incredible “architecture”, consisting of “bricks” or items such as knowledge, prejudices, experiences, habits, indoctrination, education, and so on. A vessel that, with time, we structure more and more, until becoming the fortress. The food, the act of eating, creates a spontaneous passage that can allow to get around these fortifications and get past the mask.

Actually, eating is a basic practice derived from the instinct of survival. The act itself is the merging point between two dimensions constantly connected with each other: the deepest one – our innermost and mysterious side –  and the external structure well known to all, where sounds, the eyes followed by the mouth, the tongue and the nerve endings translate into the so-called nourishment process. A development that occurs through an unconditional act of confidence that reveals itself in one the greatest human related moments of intimacy: eating. An act of will which allows lowering our defences to favour communication and the transition from what is external and foreign towards the most inner and private part of our body. In other words, this process generates life itself.


How do you think you can connect videos with your poetics always linked to the photographic medium? What kind of differences have you noticed?

Archivi Intimi  brings together private moments through a collection of videos created in my studio during the break between a photo session and the other. I face the video like a photograph in motion, a still image, by adding the element of sound. I have replaced the research of the detail, its my way of capturing images, with a microphone that let me to pick up amplified vibrations produced by the act of eating. Inserting in the image in the end, they create a real timeline.


What is your feelings observing the videos? What differences and what similarities among the subjects?

How much can be natural and spontaneous a person who is asked to eat in front of a camera? I am convinced that no matter the degree of spontaneity but only the repetition of an act; through endless attempts you can arrive at a relevant synthesis  in which there are authentic glimpse. What I try to do is to offer an opportunity to catch them.


What is your relationship with food and what’s your feeling about being observed?

I am very bashful but I like to observe others. I eat thinking that am gonna choose better the next day. I swallow most of the food without consciousness, for example products that I don’t know so well. I guess I can be more aware day by day and with time, create a more profound consciousness.