©2024|Roger Weiss

rogerweiss@bluemail.ch

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About




The photographic work of Roger Weiss delves deeply into contemporary Anthropic identity. Weiss, a Swiss photographer, graduated summa cum laude from the Brera Academy of Fine Arts in Italy, reelaborates human bodies through fragmentations, hybridisations, dilations, and photographic reconstructions, to reveal the archetypal form of the human being.

His work has been exhibited at exhibit spaces and art fairs in Europe and the US including: Ohsh Projects, London (UK), Gallery Sèbastien Lepeuve, Clichy (FR), Snap! Orlando Gallery, Orlando (US), Limonaia di Villa Strozzi, Florence (IT), Museo del Barocco (IT), Gervasuti Foundation, Venice (IT), Deutsch-Amerikanisches Institut, Heidelberg (DE), Kulturzentrum Alte Kaserne, Winterthur (CH).
He has several publications in books and leading trade magazines including: The Opéra, Kerber publisher, book (DE), The Song of Songs, which is Solomon's, Josef Weiss Private Press, book (CH), Doppelgänger, Image of the Human Being, Gestalten publisher, book (DE), Schön! Magazine (UK), Carnale Magazine (IT), Digit! Magazine (DE), Blink Magazine (Korea), and interviews including Exibart (IT), ArtsLife (IT), i-D (UK), Dazed (UK), Vogue Italia (IT), RSI (CH), NY ARTS (USA). His collaborations include brands such as Apple, Enterprise Japan, Amina Muaddi and Wolford.
From 2017 to 2020 he was the art director of Collectible DRY magazine.

Portrait   
               
     


Selected Shows



Group Show: Ohsh Projects
Liquify
London, UK
co-curated by Jon Baker and OHSH Projects

Art Fair: MIA Milan Image Art Fair
LOOKING AT HER
Paola sosio contemporary art milan, IT
Curated by DOMENICO DE CHIRICO


Group Show: FUMES AND PERFUMES
FUMES AND PERFUMES 9.0
Stuttgart, DE (Catalogue)


Group Show: Gallery SÈBASTIEN LEPEUVE
21
Clichy, FR

Group Show: Museo Regionale della Bonifica di Cà Vendramin
L’energia della creatività
Rovigo, IT
Curated byi Melania Ruggini

Group Show: Limonaia di Villa Strozzi
Diari Urbani
Florence, IT
curated by Chiara Massini

Group Show: Museo del Barocco
LA BELLEZZA SOSPESA TRA VISIONE E REALTà
Noto, IT (catalogue)
curated by Chiara Massini

Art Fair: Photissima Art Fair
Welcome to the jungle!
Torin, IT
Curated by Famiglia Margini gallery Milan, IT


Solo Show: PArCo | Padiglione Arte Contemporanea
Cyclical Time
Casier, IT
Curated by Chiara Massini

Group Show: Gervasuti Foundation
SCREAMING SCREEN
Venice, IT

Solo Show: Association Oltre la Moda, Spazio Luigi Salvioli artist representatives s.r.l. LULÙ
Milan, IT
Curated by Luigi Salvioli

Solo Show: Deutsch-Amerikanisches Institut
Sospension
Heidelberg, DE
Curated by Jakob J. Köllhofer

Group Show: Kulturzentrum Alte Kaserne
Start 2
Winterthur, CH

Curated by Iren Tanner




Selected Artwork


  1. Hysteria 
  2. Human Dilatations
  3. Flat Humans
  4. Genealogy of a Body
  5. Survey of Human Map
  6. Intimate Archive
  7. Cyclical Time
  8. Be Two  
  9. I am Flesh



Selected Interviews


Magazine: Collater.al
LE HUMAN DILATATIONS DI ROGER WEISS
7 July 2023, IT
Text by Giorgia Massari


Blog: Exibart
OTHER IDENTITY #49. ALTRE FORME DI IDENTITÀ CULTURALI E PUBBLICHE: ROGER WEISS
Issue 49, 17 feb. 2023, IT
Interviewer: Francesco Arena


Newspaper: ArtsLife
ROGER WEISS: RIELABORARE IL CORPO ALLA RICERCA DEL SUO ARCHETIPO
the cultural revolution online, 19 Jan. 2023, IT
Interviewer: Rebecca Delmenico


Magazine: Carnale Magazine
HUMAN DILATATIONS
Issue 3,  10 pages + a limited edition poster of 100,
size 203x140cm. Sept. 2022, IT
Interview by Lorenzo Ottone


Magazine: SFG Magazine
THERE ARE NO IDEAS THAT ARE NOT CON- NECTED WITH PERSONAL EXPERIENCE, DESIRES AND FEARS
12 Feb. 2022, UA
Interviewer: Sergey Gutakovsky
Translation: Angelina Petrova
Editor: Sergey Fomkin


Magazine: Swarm Magazine
HUMAN DILATATIONS
02 Sept. 2021, Prague, Czechia
Interview by Markéta Kosinová


Podcast: SPREAKER Podcast
ROGER WEISS E L’ARTE DEL KINTSUGI
00:12:34, 02 July 2021, IT
by Alessio Bottiroli
On The Nature Of Light
Un podcast di e sulla fotografia


Magazine: I-D
I CORPI DISTORTI ED EMANCIPATI NEGLI SCATTI DI ROGER WEISS PER LA COLLEZI- ONE AMINA MUADDI X WOLFORD
29 July 2021, IT
TEXT by Carolina Davalli


Blog: The Dummy’s Tales
ROGER WEISS, IL CORPO ANARCHICO
08 Feb. 2021, IT
TEXT by Francesca Interlenghi


Magazine: Art Super Magazine
ROGER WEISS: EATING, THE ACT OF CONFIDENCE
Jan. 2018, IT
Interview by Annalisa Scandroglio


Magazine: D’Scene Magazine
THE PERSPECTIVE OF ROGER WEISS
4 pages, Dec, 2017, UK
Interview by Sav Liotta


Magazine: Digit! Magazine
AUSWEITUNG DER KOMFORTZONE
8 pages, Oct/Nov 2016, DE
Interview by Von Peter Schuffelen


Magazine: Hestetika Magazine
HUMAN DILATATIONS
8 pages, Oct. 2016, IT
Interview by Valentina De’ Mathà


Magazine: Dazed
THESE PHOTOGRAPHS EXPLORE NEW PER- SPECTIVES OF FEMALE BEAUTY
26 June 2016, UK
Interview by Ione Gamble


Blog: FotoRoom
HUMAN DILATATIONS: Roger Weiss Creates Mind-Blowing Portraits of Dilated Female Bodies
02 May 2016, IT


Rubrique: Les Blogs DE l’ART HELVÈTIQUE CONTEMPORAIN
UN HOMME EN MOUVEMENT: PORTRAIT DE L’ARTISTE DE THURGOVIE ROGER WEISS
23 July 2015, CH
Interview byJ-Paul Gavard-Perret
Rubrique des arts plastiques et de la littérature en Suisse


Magazine: Vogue Italia
ROGER WEISS
05 April 15, IT
Interview by Alessia Glaviano


TV: RSI, Cult Tv
ROGER WEISS
03 March 2014, CH


Magazine: Ticino Welcome Magazine
VOGLIO SCOPRIRE NUOVI TERRITORI DA ESPLORARE E RACCONTARE
6 pages, Sept/Nov, 2013, CH


Magazine: Blink Magazine
ROGER WEISS
14 pages + Cover, 2012, Korea


Magazine: NY Arts magazine
I AM FLESH
1 page, Summer 2011, NY


Magazine: Twill magazine
35 AN ETHMOGRAPHIC PROJECT
10 pages, June 2010, FR
TEXT by Adriano Zamperini


Magazine: Fotocomputer Magazine
ROGER WEISS
Issue 67, 6 pages, April 2005, IT









Special Projects


  1. Enterprise Japan
  2. Carnale Magazine
  3. Learnn
  4. Apple
  5. Collectible DRY
  6. Cosha
  7. Wolford|Amina Muaddi
  8. Camilla Sparksss
  9. Schön! Magazine




Selected Publications
    


BOOK: Seltmann Publisher
FUMES AND PERFUMES
10 pages, 18 Jan. 2024, DE
Herausgeber / Editors: Frank Bayh & Steff Rosenberger-Ochs, Peter Franck, Bernd Kammerer, Monica Menez und Yves Noir


MAGAZINE: WeAr Magazine
We Are One
Issue 75, 1 page, March 2023. IT
Enterprise Japan FW23 Campaign


BOOK: Dumont Publisher
I SEE VULVAS EVERYWHERE
1 page, 18 July. 2023, DE
By Lisa Frischemeier


Book: Kerber Publisher
THE OPÉRA
10 pages, 14 Nov. 2022, DE
Edited by Matthias Straub Designed by Steffen Knöll Designed by Sven Tillack
Limited anniversary issue of The Opéra – Magazine for Contemporary Nude Photography – including its most famous positions of the past as well as new views on the human body


Magazine: Carnale Magazine
HUMAN DILATATIONS
Issue 3,  10 pages + a limited edition poster of 100,
size 203x140cm. Sept, 2022, IT


MAGAZINE: The Opéra Magazine
THE HUG
Volume X, 10 pages, 12 July 2021, DE


Magazine: D’Scene Magazine
THE PERSPECTIVE OF ROGER WEISS
4 pages, Dec, 2017, UK


MAGAZINE: The Opéra Magazine
HUMAN DILATATIONS
Volume VI, 8 pages, Oct. 2017, DE


MAGAZINE: Schön Magazine
HUMAN DILATATIONS
Issue 33, 10 pages, Oct. 2017, UK


BOOK: Josef Weiss Private Press
THE SONG OF SONGS, WHICH IS SOLOMON’S, 2016, CH


Magazine: Digit! Magazine
AUSWEITUNG DER KOMFORTZONE
8 pages, Oct/Nov 2016, DE


Magazine: Hestetika Magazine
HUMAN DILATATIONS
8 pages, Oct. 2016, IT


Magazine: Ticino Welcome Magazine
VOGLIO SCOPRIRE NUOVI TERRITORI DA ESPLORARE E RACCONTARE
6 pages, Sept/Nov, 2013, CH


Magazine: Blink Magazine
ROGER WEISS
Cover + 14 pages, 2012, Korea


BOOK: Gestalten Publishers
DOPPELGÄNGER, IMAGE OF THE HUMAN BEING
2 pages, Jan. 31, 2011, DE


Magazine: NY Arts magazine
I AM FLESH
1 page, Summer 2011, NY


Magazine: Twill magazine
35 AN ETHMOGRAPHIC PROJECT
10 pages, June 2010, FR
TEXT by Adriano Zamperini


Magazine: Fotocomputer Magazine
ROGER WEISS
Issue 67, 6 pages, April 2005, IT





















2022|SFG Magazine

There are no ideas that are not connected with personal experience, Desires and Fears 




SFG Magazine, 120222, UA
Interview by Interviewer: Sergey Gutakovsky
Translation: Angelina Petrova
Editor: Sergey Fomkin




Your project “Human Dilatations” distorts the proportions of the human body. It looks incredible visually — it is impossible to take your eyes off it. What is the ideological side?

“Human Dilatations” is a modern person who is deprived of two things: physical perfection and the power of thought. Each image is a body which proportions are distorted, and it dominates the head (mind, thoughts), which is almost absent.

It all has started with the fact that the image of a modern woman was reduced to a template, a combination of codes and models that show a person, and not vice versa. “Human Dilatations” is not afraid to demonstrate the flaws and imperfections of the body, it contributes to the female image appearing as a whole, completely breaking away from the stereotypical and hypocritical idea of beauty.

In order to do it, I have turned to the Neolithic as a starting point. The symbolism of God and the mystery of life, death and rebirth. This is a cycle, representing a large complex of symbols that survived millennia and were present even before the patriarchal religions.

 How did you get this idea?

As in everything, there is not a single idea that is not related to personal experience, desires, fears that each of us experiences. “Human Dilatations” developed unconsciously during my studies at the Brera Academy of Fine Arts in Milan. Over the years, I have formulated personal hypotheses about why I started this path, and have come to the conclusion that it was born from a particular perception of a person that has been accompanying me since I can remember. I clearly remember losing the ability to associate the functional parts of each person with aesthetically acceptable forms in my childhood. Of course, as I grew older, this impression changed, but the questions that I still try to answer remained unchanged.

How did the collaboration with Apple happen?

They contacted me and voiced their request.

Apple has your quote in which you say “The process of photo editing is difficult.” Tell us more about it.

The project for Apple was deliberately simplified, as it was filmed entirely on the iPhone. This is a sort of “Human Dilatations” light version.

When did you realize that photography would be the work of your life?

From the very beginning, I perceived photography as a kind of mask, that allowed me to keep the right distance between me and what I have met on my way. It is like a magnifying glass aimed solely at the analysis of existential problems that are gradually getting more complicated. Over time, clients encouraged me to take photography as a job.

What (or who) are you inspired by?

Beauty.

How can an artist find their own unique style today?

I think we need to analyze the art of people that was before us. It gives the opportunity to mix with their path in the dialectical vision. Of course, it can lead to the illusion of uniqueness, but it remains an ephemeral and little relevant idea in my eyes. I have never been able to and never can feel detached from what and who surrounds me.

Finish this interview with three words, please.

Read, think, act.